Honolulu Museum of Art Indonesia Masks Qho Made the Masks
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| Established | 1922 |
|---|---|
| Location | 900 South Beretania Street (betwixt Ward and Victoria Streets), Honolulu, Hawaii |
| Manager | Halona Norton-Westbrook |
| Website | www |
| Honolulu Academy of Arts | |
| U.Due south. National Register of Historic Places | |
| | |
| Location | 900 South. Beretania St., Honolulu, Hawaii |
| Coordinates | 21°18′xiv″N 157°50′55″Westward / 21.30389°Northward 157.84861°Due west / 21.30389; -157.84861 Coordinates: 21°xviii′14″Northward 157°50′55″Due west / 21.30389°North 157.84861°W / 21.30389; -157.84861 |
| Congenital | 1927 |
| Architect | Bertram Goodhue |
| Architectural style | Hawaiian |
| NRHP referenceNo. | 72000415[ane] |
| Added to NRHP | March 25, 1972 |
The Honolulu Museum of Art (formerly the Honolulu Academy of Arts) is an art museum in Honolulu, Hawaiʻi. The museum is the largest of its kind in the land, and was founded in 1922 by Anna Rice Cooke. The museum has one of the largest single collections of Asian and Pan-Pacific art in the U.s., and since its official opening on April 8, 1927, its collections have grown to more than 55,000[2] works of art.[three]
Description [edit]
The Honolulu Museum of Art was called "the finest small museum in the United Statesˮ by J. Carter Brownish, director of the National Gallery of Art from 1969 to 1992.[four] In addition to an internationally renowned permanent collection, the museum houses innovative exhibitions, an art school, an independent fine art house theatre, a café and a museum shop. In 2011, The Contemporary Museum gifted its assets and collection to the Honolulu Academy of Arts; in 2012, the combined museum changed its name to the Honolulu Museum of Art.
The museum is accredited by the American Brotherhood of Museums and is registered as a National and State Historical site. In 1990, the Honolulu Museum of Art School was opened to expand the programme of studio art classes and workshops. In 2001, the Henry R. Luce Pavilion Complex opened with the Honolulu Museum of Art Café, Museum Shop, and Henry R. Luce Wing with 8,000 foursquare feet (740 m2) of gallery space.
Collections and holdings [edit]
Mrs. Thomas Lincoln Manson Jr (Mary Groot) 1890, by John Singer Sargent. Oil on canvas (56.06" ten 44.25")
The Honolulu Museum of Art has a large drove of Asian art, especially Japanese and Chinese works. The Asian fine art collection includes more than 20,000 works of art, with galleries dedicated to Nihon, China, Korea, Bharat, Southeast Asia, Republic of indonesia, and the Philippines. The drove is especially strong in Chinese and Japanese paintings, Korean ceramics, Buddhist and Shinto sculpture, South and Southeast Asian sculpture and decorative arts, and textiles from across Asia. The crown jewel of the Asian art collection is the James A. Michener Collection of more than than 10,000 Japanese ukiyo-e woodblock prints, the third largest collection of its kind in the United States.[5]
Major collections include the Samuel H. Kress drove of Italian Renaissance paintings, American and European paintings and decorative arts, art of Africa, Oceania, and the Americas, textiles, contemporary art, and a graphics collection of over 23,000 works on paper.
The museum'south European and American collection of paintings, sculptures, decorative arts, textiles, and more than 15,000 works on newspaper, range in date from the Renaissance to the present. Highlights are major Impressionist, Post-Impressionist and early on modernist paintings by Georges Braque, Paul Gauguin, Vincent van Gogh, Fernand Léger, Henri Matisse, Amedeo Modigliani, Claude Monet, Pablo Picasso and James McNeill Whistler. Significant works of art from the 20th century to the present include paintings and sculptures by Lee Bontecou, Alexander Calder, Leon Golub, Philip Guston, Yan Pei Ming, Isamu Noguchi, Nam June Paik, John Vocalist Sargent and David Smith.
The Department of European and American Art has paintings by Josef Albers, Francis Salary, Edward Mitchell Bannister, Romare Bearden, Jean-Baptiste Belin, Bernardino di Betti (called Pinturicchio), Abraham van Beyeren, Albert Bierstadt, Carlo Bonavia, Pierre Bonnard, François Boucher, Aelbrecht Bouts, Mary Cassatt, Paul Cézanne, Giorgio de Chirico, Frederic Edwin Church, Jacopo di Cione, Edwaert Colyer, John Singleton Copley, Piero di Cosimo, Gustave Courbet, Carlo Crivelli, Jasper Francis Cropsey, Henri-Edmond Cross, Stuart Davis, Edgar Degas, Eugène Delacroix, Robert Delaunay, Richard Diebenkorn, Arthur Dove, Thomas Eakins, Henri Fantin-Latour, Helen Frankenthaler, Bartolo di Fredi, Jan van Goyen, Francesco Granacci, Childe Hassam, Hans Hofmann, Pieter de Hooch, Adélaïde Labille-Guiard, Philip Guston, William Harnett, George Inness, Alex Katz, Paul Klee, Nicolas de Largillière, Sir Thomas Lawrence, Morris Louis, Maximilien Luce, Alessandro Magnasco, Robert Mangold, the Main of 1518, Pierre Mignard, Claude Monet, Thomas Moran, Giovanni Battista Moroni, Grandma Moses, Robert Motherwell, Alice Neel, Kenneth Noland, Georgia O'Keeffe, Amédée Ozenfant, Charles Willson Peale, James Peale, Camille Pissarro, Fairfield Porter, Robert Priseman, Robert Rauschenberg, Odilon Redon, Diego Rivera, George Romney, Francesco de' Rossi (called Il Salviati), Carlo Saraceni, Gino Severini, Frank Stella, Gilbert Stuart, Thomas Sully, Yves Tanguy, Jan Philips van Thielen, Giovanni Domenico Tiepolo, Bartolomeo Vivarini, Maurice de Vlaminck and William Guy Wall.
The collection too includes iii-dimensional works by Alexander Archipenko, Robert Arneson, Leonard Baskin, Lee Bontecou, Émile Antoine Bourdelle, Nick Cave, Dale Chihuly, John Talbott Donoghue, Jacob Epstein, David Hockney, Donald Judd, Jun Kaneko, Gaston Lachaise, Wilhelm Lehmbruck, Roy Lichtenstein, Jacques Lipschitz, Aristide Maillol, John McCracken, Claude Michel (chosen Clodion), Henry Moore, Elie Nadelman, George Nakashima, Louise Nevelson, Hiram Powers, Pierre-Auguste Renoir, George Rickey, Auguste Rodin, James Rosati, Augustus Saint-Gaudens, Lucas Samaras, George Segal, Marking di Suvero, Tom Wesselmann and Jack Zajac.[6] [7] The permanent collection is presented in 32 galleries and six courtyards.
The museum traces the history of art in Hawai'i, with a gallery dedicated to Hawaiian traditional arts, art past Hawai'i artists, and fine art of Hawai'i.
The permanent drove is presented in 32 galleries and 6 courtyards.
Access [edit]
The Honolulu Museum of Fine art occupies three.2 acres (thirteen,000 m2) most downtown Honolulu. The museum is open to the public Th through Sunday. Admission is complimentary to members, children 18 & nether and for some events, only otherwise a fee is charged. Free admission is offered to Hawai'i residents on the third Sunday of the month from ten a.one thousand. until 6 p.m.[eight] Guided tours are offered several times daily.
Hours [edit]
The museum is open: Thursday x am - half dozen pm, Friday 10 am - 9 pm, Sat x am - ix pm, Sunday ten am - six pm. Closed Mon - Wednesday.
Doris Duke Theatre [edit]
The Doris Duke Theatre at the museum seats 280. It hosts movies, concerts, lectures, and presentations.
Robert Allerton Fine art Library [edit]
In 1927, the Research Library opened with 500 books. In 1955, it was expanded and named for Robert Allerton. The collection includes 45,000 books and periodicals, biographical files on artists, and sale catalogues dating to the beginning of the 20th century. The library is a non-circulating enquiry facility with a reading room open to the public.[ix]
Honolulu Museum of Art Schoolhouse [edit]
Didactics has been at the core of the Honolulu Museum of Art's mission since it opened in 1927. Today the museum serves more than 40,000 children and adults annually through gratuitous school tours, classes and workshops, outreach programs, activity-filled free museum days, gratuitous lectures, and other special programming held throughout the year.
The Honolulu Museum of Fine art School (formerly the Academy Art Center at Linekona) opened in 1990, and at present serves thousands of children and adults each yr.
The Honolulu Museum of Fine art School is currently undergoing renovations, and is set to reopen in summertime 2022.[10]
Shangri La: Doris Duke Foundation for Islamic Art [edit]
Shangri La is a museum for learning about the global culture of Islamic art and design through innovative exhibitions, educational initiatives, public programs, and community partnerships. Through a partnership with the Honolulu Museum of Art (HoMA), visitors may bout Shangri La. Reservations are required.[11]
Doris Duke (1912–1993) built Shangri La with the assistance of American architect Marion Sims Wyeth. Duke's collection of Islamic fine art was assembled over sixty years.
History [edit]
Anna Rice Cooke (1853–1934), girl of New England missionaries and founder of the Honolulu Museum of Art, in her dedication argument at the opening of the museum on April viii, 1927, said:
"That our children of many nationalities and races, born far from the centers of art, may receive an intimation of their own cultural legacy and wake to the ideals embodied in the arts of their neighbors ... that Hawaiians, Americans, Chinese, Japanese, Koreans, Filipinos, Northern Europeans and all other people living here, contacting through the channel of art those deep intuitions common to all, may perceive a foundation on which a new culture, enriched by the former strains may exist congenital in the islands." —Anna Rice Cooke [12]
Born on Oʻahu in 1853, Cooke grew up on Kauaʻi island in a home that appreciated the arts. In 1874, she married Charles Montague Cooke and the ii somewhen settled in Honolulu. In 1882, they built a home on Beretania Street, across from Thomas Square. As Cooke's career prospered, they gathered their private art collection. First were "parlor pieces" for their domicile. She frequented the store of article of furniture maker Yeun Kwock Fong Inn who oft had ceramics and textile pieces sent from his blood brother in Prc.
The Cookes' art collection outgrew their abode and the homes of their children. In 1920, she and her girl Alice (Mrs. Phillip Spalding), her girl-in-law Dagmar (Mrs. Richard Cooke), and Catharine E. B. Cox (Mrs. Isaac Cox), an art and drama instructor, began to catalogue and inquiry the collection with the intent to display the items in a museum. With little formal training, these women obtained a charter for the museum from the Territory of Hawaii in 1922, while continuing to catalogue the collection. Cooke wanted a museum that reflected Hawaiʻi's multi-cultural make-upwards. Non jump past the traditional western idea of art museums, she also wanted to showcase the island's climate in an open and blusterous surroundings, using courtyards which interconnect the galleries throughout the museum.
The Cookes donated their Beretania Street land along with an endowment of $25,000. Their home was torn down to brand way for the museum. New York architect Bertram Goodhue designed a classic Hawaiian-style building with simple off-white exteriors and tiled roofs.[13] Goodhue died before the project was completed; it was finished by Hardie Phillip. This style has been imitated in many buildings throughout the country.
On Apr 8, 1927, the Honolulu Museum of Art opened. In that location was a traditional Hawaiian blessing and the Purple Hawaiian Ring, under the direction of Henri Berger, played at festivities. With the opening of the museum came gifts of many pieces, sometimes even entire collections. Additions to the original building include a library (1956), an education wing (1960), a souvenir shop (1965), a buffet (1969), a contemporary gallery, administrative offices and 292-seat theater (1977), and an fine art center for studio classes and expanded educational programming (1989). In 1999, the museum created a children's interactive gallery, lecture hall, and offices.[12]
The original building was named Hawaiʻi'southward best building by the Hawaiʻi Chapter of the American Institute of Architecture and is registered as a National and State Historical site. The museum is accredited by the American Alliance of Museums.
In 1998, extensive renovation began starting with the Asian wing. In September 1999, construction began on the John Hara-designed Henry R. Luce Pavilion Complex, which opened May 13, 2001. It includes expanded spaces for The Pavilion Café and The Museum Shop and a new two-story exhibition construction. The Luce Complex is named for Henry R. Luce, the co-founder and editor of Time Magazine and other publications. His widow, Clare Boothe Luce, had a residence in Hawaiʻi and served on the museum'south lath of trustees from 1972–1977.
New galleries exploring cross-cultural influences, were renovated and re-opened in the Western Wing in Nov 1999. A new gallery for Korean art was opened in June 2001. New galleries for the arts of Bharat, Indonesia, and Southeast Asia were renovated and opened in Jan 2002. A new gallery for the art of the Philippines named for retiring Museum Director and his wife, George and Nancy Ellis, opened in 2003. In February 2005, the museum opened an Asian Painting Conservation Studio and in December 2005, completed renovation of the Western Art galleries.
In 2001, the museum entered into a partnership with the Doris Duke Foundation for Islamic Art and the theater was refurbished and renamed for her in July 2002. In October 2002, the museum opened a new gallery that serves as the orientation center for all tours to Doris Duke'southward Honolulu manor Shangri La, which started on November half dozen, 2002.
Due to the 2019–twenty coronavirus pandemic the museum laid off one tertiary of its full-time workers & every seasonal worker that worked part fourth dimension to reduce the spread of COVID-xix on April 17, 2020.[14]
The Contemporary Museum and Honolulu University of Arts Merge [edit]
The former Gimmicky Museum, Honolulu in Makiki Heights was integrated into the Honolulu University of Arts in July 2011. The Academy'due south board of trustees voted in December 2011 to change the museum'southward public name to the Honolulu Museum of Art as of March 2012, retaining its legal name as the Honolulu University of Arts. The former Contemporary Museum, or Spalding House, became the Honolulu Museum of Art Spalding Business firm, the Fine art Center at Linekona became the Honolulu Museum of Art Schoolhouse, and The Gimmicky Museum at Get-go Hawaiian Center became the Honolulu Museum of Art at Kickoff Hawaiian Center.[15]
Sale of Spalding House [edit]
On July sixteen, 2019, the museum announced that its board of trustees would be selling Spalding House in an attempt to "allow the museum to focus its resource on its master campus at Beretania Street."[16]
Interim managing director and trustee, Mark Burak, stated: "From a fiduciary standpoint, we've taken a very long and hard expect at this from all angles. While the Spalding House property's beauty and historic significance arrive difficult to part with, information technology has likewise been challenging splitting our attention between two large, resource-intensive art campuses, one limited by several factors that have made it hard to deliver the kind of quality art exhibitions, programs and services we have desired."
Trustee and chairman of the Building and Grounds Commission, Jim Pierce, added: "The committee concluded unanimously that it would be to the long-term do good of HoMA to prepare Spalding House for auction. We are fortunate to have a board and employees who carefully evaluate all options for the future and are continually making changes to ensure that we maintain the solid financial footing necessary to fulfill our mission. Making and enabling this decision has been adamant to stand for good business practice for the long term." said Jim Pierce, trustee and chairman of the Edifice and Grounds Committee, in the release.
Following these comments regarding the fiduciary responsibility of the Lath, many community members speculated on well-being of the establishment. In his editorial, Loss Of Spalding Firm A Reminder Old Coin Alone Won't Sustain The Arts, Sterling Higa speculated on the financial history of the institution, wide spread urban evolution across Honolulu, and the arrival of new foreign investment. He writes: "Our islands play host to out-of-state wealth. Japanese, Canadian and Chinese money pours in. Silicon Valley billionaires plant roots. Given the context, it seems likely that Spalding House will exist sold to a strange buyer, and the grounds will no longer be attainable to the general public. We tin pray for conservancy, just salvation may non come. Better to hope that the new oligarchy is as generous every bit the old oligarchy, which bequeathed us relics like Spalding House.[17]
Directors [edit]
- Halona Norton-Westbrook: 2020 to nowadays[18]
- Sean O'Harrow: 2017 to 2019
- Stephan Jost: 2011 to 2016
- Stephen Little: 2003 to 2010
- George R. Ellis: 1982 to 2003
- James W. Foster: 1963 to 1982
- Robert P. Griffing, Jr.: 1947 to 1963
- Edgar C. Schenck: 1935 to 1947
- Kathrine McLane Jenks: 1929 to 1935
- Catharine East. B. Cox: 1927 to 1928
- Frank M. Moore: 1924 to 1927
Education [edit]
Pedagogy has always been an integral part of the Honolulu Museum of Fine art's mission. Working closely with educators and schools, the museum provides tools and experiences to brand visual art a foundational element of learning.[19] The museum's educational activity programs include guided tours, workshops, gallery classes, and children's art activities. School programs include art classes for Special Education students and programs for students in Hawaiʻi public schools, which combine museum tours and hands-on experience creating art in studio classes at the fine art center. Its educational resources support educators, collectors, students, members, artists and art historians with a small library and a non-reservation collection.
Tours [edit]
Docents bear tours for the public, school groups (pre-school and upward), and community organizations. Groups of 10 or more persons and classes are requested to schedule tours at least two weeks in advance.[twenty]
Special tours, focusing on temporary exhibitions often include supplementary materials and activities, some especially designed for children. Workshops for teachers and other educators may also be offered. Theme tours concentrate on a specific state, region, time period, fine art movement, or groups of artists.
Children [edit]
Gallery Hunt Activity Sheets send visitors through the galleries to detect certain works of art that focus on a theme.
Working with the Hawaiʻi Department of Pedagogy and Hawai'i public schools, the museum provides art didactics programs for students beyond the state.
Other educational resource [edit]
The Robert Allerton Art Research Library is open to college-level students, members, and other adults for art historical research. It is a non-circulating collection of over forty,000 volumes in a closed stack system and includes general reference materials, museum athenaeum, artist files, and sale catalogues. Costless Internet admission is provided.
Lending Collection: Art objects, crafts and folk arts from around the world, books, and fine art work reproductions are some of the many items available for loan in the Lending Drove. The Lending Drove is available to schools, libraries, and other community organizations.
Luce Pavilion Circuitous [edit]
The Luce Pavilion circuitous, opened May 13, 2001, includes a new buffet, gift store, and a two-story building with two 4,000-square-foot (370 chiliadtwo) galleries. Other facilities include secret storage, loading dock, dry out-pipe fire sprinklers, vertical transportation systems for passengers, remote video circulate capabilities, conservation lighting command systems, and climate control system. The Luce Pavilion Complex is completely wheelchair accessible. The projection toll over $9 meg.
The complex added 26,000 square anxiety (2,400 g2), increasing the museum size to 143,000 square feet (xiii,300 ktwo). The Luce Foundation donated $iii.v million towards the construction of the complex. Basis breaking ceremonies for the complex were held on September 23, 1999, and thou opening was May 13, 2001. The Henry R. Luce Gallery holds traveling exhibitions.
The John Dominis and Patches Damon Holt Gallery [edit]
The second flooring gallery of the Henry R. Luce Wing in the Luce Pavilion Circuitous houses works from the museum'south Arts of Hawai'i collection. The John Dominis and Patches Damon Holt Gallery includes an introduction to indigenous Hawaiian fine art, early on Western views of Hawaiʻi, and the art of contemporary Hawaiʻi-based artists. The gallery reflects changing life and landscapes of post European-contact Hawaiʻi also as its exploration of Hawaiʻi'southward changing artistic traditions as Island communities grew and became less isolated during the 19th and early on 20th centuries.
Early on views of Hawaiʻi, dating from the last decades of the 18th century and the commencement of the 19th, by expedition artists such equally England'south John Webber and Robert Dampier, France'southward Auguste Borget and Stanislaus Darondeau, and Russian federation's Louis Choris, present images of the Western world's showtime contact with Hawaiʻi. Nineteenth-century images past European artists such as George Burgess, Paul Emmert, Nicholas Chevalier, and James Gay Sawkins, who passed through Hawaiʻi, show the growth of Western-fashion communities and an appreciation for the land and body of water.
The Holt Gallery also features painting, watercolors, drawings, prints and photographs by artists such as Enoch Wood Perry, Jules Tavernier, D. Howard Hitchcock, John La Farge, Georgia O'Keeffe, Ansel Adams, Brett Weston, Roi Partridge, and Jean Charlot. Works by Hawaiʻi-born artists including Marguerite Louis Blasingame, Isami Doi, Hon Chew Hee, Cornelia MacIntyre Foley, and Keichi Kimura reveal the evolution of an indigenous modernist tradition in 20th century Hawaiʻi, and include today's contemporary artists including Lisa Reihana, James Jack and Yan Pei Ming. Other regional artists in the collection include Charles West. Bartlett, Juliette May Fraser, Shirley Russell, Madge Tennent, and John Immature. The John Dominis and Patches Damon Holt Gallery also features space for changing exhibitions which focus on the arts of Hawaiʻi.
The Holt Gallery was named for John Dominis Holt and his tardily wife Frances "Patches" Damon Holt. John Dominis Holt was built-in to part-Hawaiian parents of aliʻi rank. He learned the organized religion, customs, mythology, and the Hawaiian language. By the time he was a teen, he was already a genealogist.
Honorary trustee of the museum and wife of John Dominis Holt, Frances "Patches" Damon Holt was actively involved in many cultural projects. Descendant of a missionary family and a graduate of Punahou School, she received a law degree from Columbia University and was educated in England. Together with her older sister, Harriet Baldwin, she helped to oppose the H-3 project through Moanalua Valley. They also established a foundation to help preserve cultural and ecology values.
HoMA Café & Coffee Bar [edit]
The café was established in 1969. It had a simple menu and for over twenty years was operated by volunteers. Professional management and staff were gradually added. In September 1999, the café was moved during construction of the Luce Pavilion Complex, and more than doubled in size to 3,100 square feet (290 m2). It overlooks a granite fountain with reflection pond and sculptures by Jun Kaneko.[21]
The HoMA Café offers casual, contemporary cuisine and refreshments along with a signature isle-style hospitality, perfectly complementing the museum experience. The open-air Café is a designated ocean-friendly restaurant, committed to operating as sustainably equally possible.
The Coffee Bar is located outdoors in the museum'southward Palm Courtyard, with a selection of java and tea drinks, beer and wines, and grab-and-go menu items.
At that place is no museum access accuse to dine at the Café during dejeuner hours.
Gallery [edit]
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Tirthankara, India, 10th-11th century
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Tirthankar, Republic of india, c. 1118 Advertisement
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Ganesha, Bronze, India, 19th century
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Vishnu with two attendants, Bharat, 8th-9th century
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Chinese tomb sculpture of farmer, Han dynasty, 1st-2nd century CE
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Dog, Mainland china, Han dynasty, 206 BCE-220 CE
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The Star God of Longevity, China, Ming dynasty, 16th century
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Amida, Japan, Muromachi period, 15th century
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Processional Mask of Guardian Deity, Japan, Heian flow, 1086
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Gilt bronze statue of Sakyamuni, Korea, Unified Silla Kingdom, eighth-9th century
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Hevajra statue, Nepal, 19th century
Run into besides [edit]
- Gustav Ecke
- Honolulu Museum of Fine art Schoolhouse
- Richard Douglas Lane
- Shangri La (Doris Knuckles)
- Spalding Firm
Footnotes [edit]
- ^ "National Annals Information Organization". National Annals of Historic Places. National Park Service. July nine, 2010.
- ^ "Refining and Reimagining a Collection". Hawaii Business Mag. August 27, 2021.
{{cite web}}: CS1 maint: url-status (link) - ^ Ellis, George R., "Statement by George R. Ellis", Orientations, Dec. 1999, p. xxx
- ^ Sigall, Bob, Several Pieces at Fine art Museum Accept Fascinating Backgrounds, Honolulu Star Advertiser, June vii, 2013, p. B3.
- ^ Kealamakia, Spencer (April half dozen, 2022). "Bait Infinite". Halekulani Living Tv set.
{{cite web}}: CS1 maint: url-status (link) - ^ Ellis, George R., Honolulu Academy of Arts, Selected Works, Honolulu, Honolulu Academy of Arts, 1990
- ^ Ellis, George R. and Marcia Morse, A Hawaii Treasury, Masterpieces from the Honolulu Academy of Arts, Tokyo, Asahi Shimbun, 2000
- ^ "Plan Your Visit". Honolulu Museum of Art.
{{cite spider web}}: CS1 maint: url-status (link) - ^ "Robert Allerton Art Library". Honolulu Museum of Fine art.
{{cite web}}: CS1 maint: url-status (link) - ^ "Fine art School". Honolulu Museum of Art.
{{cite web}}: CS1 maint: url-status (link) - ^ "Home". Shangri La Museum of Islamic Art, Civilization & Blueprint.
{{cite web}}: CS1 maint: url-status (link) - ^ a b Ellis, George R., Honolulu Academy of Arts, Selected Works, Honolulu, Honolulu Academy of Arts, 1990, p.x
- ^ Gurewitsch, Matthew (December 26, 2013). "A Hawaiian One thousand Tour". The Wall Street Periodical. p. D5.
- ^ Fujimori, Leila (Apr 17, 2020). "Honolulu Museum of Art lays off a tertiary of total-timers, all part-timers and seasonal help". Honolulu Star-Advertiser.
- ^ Nakagawa, Lynn (Dec 7, 2011). "Honolulu Academy of Arts to be renamed Honolulu Museum of Art". Pacific Business News. Retrieved nineteen June 2014.
- ^ Wu, Nina (2019-07-16). "Honolulu Museum of Art to sell historic Spalding House in Makiki". Honolulu Star-Advertiser . Retrieved 2019-08-04 .
- ^ "Sterling Higa: Loss Of Spalding House A Reminder Old Money Alone Won't Sustain The Arts". Honolulu Civil Beat. 2019-07-26. Retrieved 2019-08-04 .
- ^ "ARTnews in Brief: Honolulu Museum of Art Names New Director—and More from October 31, 2019". ARTnews. 10/28/2019.
- ^ "Educators". Honolulu Museum of Art.
{{cite web}}: CS1 maint: url-condition (link) - ^ "Tours". Honolulu Museum of Art.
{{cite spider web}}: CS1 maint: url-condition (link) - ^ "Cafe". Honolulu Museum of Fine art.
{{cite spider web}}: CS1 maint: url-status (link)
References [edit]
- Ecke, Gustav (1965). Chinese painting in Hawaii, in the Honolulu Academy of Arts and in private collections. Honolulu: Academy Academy of Arts.
- Ellis, George R., Honolulu Academy of Arts, Selected Works, Honolulu, Honolulu University of Arts, 1990.
- Ellis, George R. and Marcia Morse, A Hawaii Treasury, Masterpieces from the Honolulu Academy of Arts, Tokyo, Asahi Shimbun, 2000.
- Honolulu Academy of Arts, Academy Album; A Pictorial Option of Works of Art in the Collections, Honolulu, Honolulu Academy of Arts, 1968.
- Honolulu Museum of Art, Honolulu Museum of Art Drove Highlights, Honolulu Museum of Fine art, 2016 ISBN 9780937426913
- Little, Stephen, Visions of the Dharma, Japanese Buddhist paintings and prints in the Honolulu University of Arts, Honolulu, Honolulu Academy of Arts, 1991, ISBN 0937426148
External links [edit]
- Official website
- Online gallery
Source: https://en.wikipedia.org/wiki/Honolulu_Museum_of_Art
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